
This page is designed for
students currently enrolled in
AR200 – Introduction to the
Visual Arts at
Jan B. Walker,
Instructor
Director,
Email: jwalker@erskine.edu
Office:
Phone: 379-8867
office
378-3475 cell
WAY TO GOGH!
Congratulations
Class of 2008

Need
Help with Your Papers?
I
Thought So!
Writing
for an art class may be different than what you are used to in your other
classes.
Use the following “starter questions” to help
you as you write for the Visual Analysis & Final Papers.
Remember
that I am looking for YOUR OPINION, as you RESPOND to the RESEARCH you present.
I
already know what the art historians have to say. I want to know what YOU have
to say.
I
am looking for your ability to talk about art in an intelligent fashion.
Keep
these points in mind…
-
It is fine to use “I” statements (“I feel
Picasso’s work is…”)
-
Think “What is my first response to the
work? Amusement? Annoyance? Study your response.
-
When and where was the work made? By whom,
and for whom?
-
What is the title? Does it help explain
the work?
-
What is the subject matter? What is
happening?
-
If the work depicts a figure, what is the
relation to the viewer’s gaze to the gaze of the figure?
-
Does clothing or furnishing tell us
anything about the figure? What about facial expression?
-
If the image is a self-portrait, what
image does the artist project?
-
If the image is a landscape, are there
figures present? What is their relation to nature?
-
What is the effect of light in the image?
Is it soft? Or theatrical?
-
What is the effect of color in the work?
What mood or feeling does it convey?
-
If the work is abstracted or
non-objective, does the title give you a clue to its meaning?
-
If the work is a sculpture, what purpose
was it made for?
-
If the work is a figurative sculpture
(i.e, statue), what does the pose convey?
-
If you are working with architecture, what
is the purpose of the building?
-
FINALLY, ask yourself questions about your
response. Why do I have this response? Why do I find this landscape inviting,
and this one oppressive? Why am I drawn to one work over the other? How does my
reaction to the artist’s biography influence my feelings about his or her work?
How does MY biography influence my taste in art? How would I articulate my like
or dislike to another viewer? What questions would I ask the artist about his
or her work, if I could?
List
of questions adapted from “A Short Guide to Writing About Art” by Sylvan Barnet
Writing From “F” to “A”
The
following are sample writing essay responses to the following assignment:
“Describe Salvador Dali’s Persistence of Memory”
“A”
VERSION:
“My
first impression of Salvador Dali’s Persistence of Memory is as unique as Salvador
Dali himself. Upon first glance, I see
the
work of a self-described madman; a fanciful landscape that finds meaning only
in the mind of its surrealist creator.
The
influence of Sigmund Freud and Carl Jung hang heavy over the dream-like
landscape, hovering in the air like
the
thick humidity that seems to drench the pocket watches. Tiny ants scatter
across the watches, giving the
work
a sense of motion as well as texture. The melting face of what some critics
consider to be Dali himself lends
a
sense of irony to any idea of “Persistence” in the work. The landscape located
in the background appears visually
“cool”
against the churning, melting energy of the foreground. The implied line
created by the shore
divides
the work into two sections, as if one could physically exist in spite of the
dream created below.
The
colors used by Dali are softened slightly, much like a dream would appear
during semi-awareness.
As
intrigued as I am by this work, I am equally perplexed by it. I wonder why Dali
would create a work
that
is so difficult to understand? Considering the social context of the work, I
have some
understanding
that dreams and psychology are the true subject matter. Yet, I struggle to
understand it with
modern
eyes. Perhaps it is my own need to have it explained, knowing full well the
painting
will never be articulated in a manner that anyone but Dali would ever
understand.
Such
is the nature of Surrealism, a world that is beyond articulation, and a world
that only
Dali
can truly create.”
“B”
VERSION
“Salvador
Dali’s Persistence of Memory is unique. I glance at the painting, and am
confused and intrigued at the
same
time. What is Dali thinking? Am I even supposed to know? Can I truly appreciate
what I don’t fully understand?
The
motion of the work seems focused on the tiny ants crawling across the watches.
It’s as if you can see them
moving
across the polished surface. The landscape in the background lends an eerie
light to the work.
The
colors of the work are softer than other Dali works. I wonder why? The face
lying on the ground also
intrigues
me – is this Dali? Or another trick to disguise the meaning?
I
may never understand this work, but I know the mystery behind it will cause me
to look at it with greater interest.”
“C”
VERSION
I
choose Salvador Dali’s Persistence of Memory. I don’t understand the work, but
I thought it looked cool, so I chose it.
I
think it is a dream of Dali’s, and if it is, it is a weird one. There are ants
crawling around a watch, and it gives it
a
creepy feeling. The beach on the back looks strange, too. And there is a face
or something on the ground. One book
I
read said it was a self-portrait of Dali, which is interesting. I think it may
be, because it looks like him.
The
colors that he used are interesting. It seems cold. There are lines made by the
water and sand, and
there
is a big mountain in the back. There is a tree and a watch. It looks melted.
Like
I said, I don’t know what it means. I know he was a Surrealist, and he read
guys
like Freud and Jung. So maybe that made it look dream-like, since that’s what
those
men wrote about. I like the work, and I like Dali because this is about
his
dreams and the things he saw in his mind. It’s okay that I don’t understand it
all.
Surrealism
is all about the unconscious mind, and using that for subject matter. Dali is a
good example of that.”
“D”
VERSION
In
some ways I like Dali, in some ways I don’t. He’s interesting, I guess. I know
he was into
Freud
and Jung. He must have read them a lot, because that’s what I see.
There
are watches, ants, a tree, a face, and some other stuff. I don’t know what the
other stuff it, I guess
That’s
all dream-stuff. Maybe he did drugs or somethin’! LOL
I
like the tree. It looks cool. So does the ants. I once had an ant farm and this
reminded me of it.
Maybe
the face means he was sleeping! I understand sleeping. I get sleepy just
looking at it.
I
like the ocean part, because the ocean is AWESOME. I think its cool.
Its
okay that no body gets it. I mean, I get it because I like stuff like that. I
guess I’m weird, but
so
is Dali, soooo….
“F”
VERSION
I
love this painting, because my teacher once showed us this, and I was, like,
COOL!
My
roommate liked it to. I probly have to write my research paper onit.
SO,
I was, like, what is Dali doing? Maybe he had a bad dream, or something.
He
liked stuff like that. I do two. I don’t like bad stuff, or anything. I always
Grew
up being scared of stuff, but then maybe I gruw up.
And
now I like it. So, anyway, there are these ants. And a tree. Oh, and
Watches
that are melting. I don’t know why. He doesn’t tell us.
There
is a tree. I thnk those are ants? Maybe not.
Anyway,
there is also a mountain and some water – like an ocean or lake, maybe.
I
don’t know why. Maybe he liked swimming. I LOVE to swim, it is fun and
I
go everychance I get. Except not the erskine pool. I mean, it’s okay but
I
like going to the lake or something because you can just hang out, IMHO.
Anyway,
Dali is cool because the colors are cool and stuff. Maybe I will bye this
painting
When
I have my own place. And I will soon, because I will gradate soon, I hope! LOL
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gallery, click here
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